FellateGreat article. He doesn't fellate Bukowski *like so many on this website* and manage a pretty balanced positive review of him.
Quality.
Don't feed the troll. He'll be back under the bridge in a minute.Olaf don't be a dick.
I find it refreshing he's back now.Don't feed the troll.
That is information that I truly did not need to know.I, personally, would suck Bukowskis dick on any given day.
Well done Carvers!;)Noir is not elegant. [...]
For some reason, I can't picture a detective smoking a cigarette raping a little girl in black and white? When I read the Fiend, which is one of my favorite short stories by Buk, I didn't think of darkness (literally), I could see the sunlight coming in from the guy's window while he's whacking it in the kitchen over two bottles of wine. I could see him walking down a nicely-paved sidewalk to the girl's house - I could see her bright red knickers. In the garage, I could see colours. I think that I could see this light in juxtapose with this being a very dark, fucked up story, makes it beautiful irony.Just off the top of my head, I can reasonably assert that The Fiend and The Murder of Ramon Vasquez from The Most Beautiful Woman in Town would fit comfortably into any noir short story anthology. There's also a grim take-off on Hemingway's The Killers in Tales of Ordinary Madness (can't recall the title) that is practically textbook noir.
Here is a little example:.And I don't recall any homosexuals in classic film noir?
Sure there were. Joel Cairo in Hammett's "The Maltese Falcon", Bruno in Patricia Highsmith's "Strangers on a Train"; in fact Highsmith, author of the famous Ripley novels, frequently employed thinly-disguised gay characters.
(snip)
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