As I may have mentioned elsewhere, there are 52 segments and they were never intended to be played back to back; each segment was offered once a week for an entire year as a sign-off for a German tv station. What Schroeder has done is to present them in a way that they were originally aired, and I am not bothered buy it, because when the music is playing it gives me the time to reflect upon what I just heard, rather than listening to another segment presented right on top of it. I know I'm in the minority here, but it's a calm, simple piano melody in the classical mode, and perhaps that's why Schroeder used it: Bukowski loved the classics. He wasn't into Nine Inch Nails, The Sound of Music or Frankie Avalon. He loved classical music and I don't think he would have been bothered by Schroeder's choice of this simple theme, though it can get repetitive when played back to back. But then, imagine all the work it would have taken Schroeder to excise it rather than let the viewers see how the segments were presented in their original form. He probably would have also gotten complaints in a damned-if-I-do, damned-if-I-don't situation. (I personally would have missed the original music.) In any event, I'm rarely bothered by the piano; rather than resisting it, I loosen up and let it pass through me - then I'm ready for the next... And of course, I love what Bukowski has to say. It's always like hearing him for the first time, even after the 100th listening. So I look at the situation in a different light and appreciate that Schroeder had the presence of mind to do anything at all. I'm grateful for the legacy of one of the greatest conversationalists of all time. Best wishes to all.
One fan's opinion.