Buk would come into the office with his manuscript. We usually set and talked for a while and I would read his column and then sent it upstairs for Chris Bunch to typeset. There was no editing that I was aware of. I liked to do a collage out of things in his story, that was one of the joys I had...
I have a bunch of them and I thought they were great but the ones I have were held down by rubber cement and they all turn brown and are not in very good shape.
I've been an artist and photographer all my life. I'm not that good of a writer to bring together all that I have heard and seen in both the erotic publishing and the underground scene in Los Angeles during the times of the 60s. It's always fun to sat at a bar having a beer and talking about...
I was working at the company that published the Essex House books. I was very good friends with Brian Kirby who was the editor. At the same time I was art director of “Open City Underground Newspaper” and would read the articles that Bukowski would bring in for the paper, I love doing collages...
I was the art director of Open City for most of the issues. I had the privilege of meeting with Bukowski when he came into the Open City office with his newest Notes of a Dirty Old Man, I would read his copy and then take it upstairs to be typeset by Chris Bunch on an IBM Selectric and most of...
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