bospress.net
www.bospress.net
I'm talking about a short run international project. I'll PM you...
Bill
Bill
It's a technique called aquatint where you coat the plate in resin, cut in your basic design, and then soak the plate in an acid bath which cuts into the metal. You can then remove some of the resin in a particular area and put the plate back in the acid and then repeat the process as many times as needed. The longer the bare metal is in contact with the acid, the darker the shade will be in the print, so the first section of resin that you removed will be darker then the next and so on. Hope that makes sense.
Im not certain that Pressure Printing does etchings though. I know he runs a letterpress and has plates made of the artwork. For traditional etchings you would use an etching press which works by cranking the plate and paper between a roller and platen.
i got an A for my paper about the small press online community.
bill: just now saw those incredible Ginsbing covers. WOW. what incredible work, my man. seriously. you got skillz...
An interesting tidbit on one of the printer's devil's many tasks from ye olden dayes of printing:i've managed to score a position as 'printer's devil' at my university's small press studio. i start there next tuesday; i'll let you know how it goes.
Ha, well, everyone has to do that at least once. A pile of unsorted type like you had to deal with is said to be "Pied." I don't know why that is, maybe Bill knows. Maybe something to do with Pi being a never-ending number, and sorting mixed type a never-ending task. ;)so i was finishing up, and i went to lift the chase off the press but i hadn't tightened the quoins enough and three lines of type fell out. this doesn't sound like a big deal, but IT IS. at the rate i set type, it takes about a goddamn hour per line. plus the type was in a big messed up pile that i had to slowly pick through, instead of an organised typecase.
so i went in for 3 hours today, and thankfully urine was never mentioned.
it was just me and the printer, sydney, and i spent the morning working on a couple of pages: we're doing proofs for a theatre program (title page and cast list). the type had already been set for both, but i had to re-centre the whole title page and correct spelling errors/worn type on the other.
man, typesetting is extremely painstaking and slow, when you're just a newbie. so i did all that, then began printing off some proofs... bill, i need some tips on inking the type! i was using a really big and heavy roller because they were big pages, and the ink is really hard to coat evenly. i think i got maybe one decent proof out of 25 or so.
so i was finishing up, and i went to lift the chase off the press but i hadn't tightened the quoins enough and three lines of type fell out. this doesn't sound like a big deal, but IT IS. at the rate i set type, it takes about a goddamn hour per line. plus the type was in a big messed up pile that i had to slowly pick through, instead of an organised typecase.
my hands and wrists are covered in ink, but i had a great morning! i'm only doing one day a week at the moment (and it's non-paying, obviously) and sydney has work for me till she leaves in may. i'm pretty lucky to be getting the experience.
setting type and inking are skills that you will learn through repetition. But I think inking is more of an art form that requires a lot of practice/experience to get right. So don't feel bad about inconsistency. You just started.actually, i find the typecases pretty easy to use and seem to have picked that part up quickly; it's the whole bit of actually putting it into the composing stick and getting the spacers right - i feel like i'm all thumbs!
the inking is something i'm really struggling with - but i guess i just need to keep practising.
the inking is something i'm really struggling with - but i guess i just need to keep practising. i want to be able to impress you with my amateur skills when we come print with you sometime later in the year ;)