The kinks recorded 25 albums, but I can't name five of their songs (I can only think of two, guess which two?), and I am of generation that devoured rock, pop and top 40 music for decades.
Okay, I tried to play last night. Got about 24 Kinks songs down on a list while at work last night. Excluding the two big ones (You Really Got Me and Lola) the other 22 were: All Day and All of the Night, Till The End of the Day, See My Friends, Set Me Free, Tired of Waiting, Stop Your Sobbing (the Pretenders cover), I'm Not Like Everybody Else, Dedicated Follower of Fashion, Sunny Afternoon, David Watts, Death of a Clown (Dave Davies), Waterloo Sunset, Victoria, Days, Mirror of Love, Autumn Almanac, Celluloid Heroes, Father Xmas, Milkcow Boogie Blues (Chocolate Watchband cover version), Muswell Hillbillies, Holiday in Wakiki, Village Green Preservation Society.
MH and VGPS might only be album titles. 25 years ago I made a cassette of some of those songs. They stuck. Now I can look to see how many I got wrong and play all of them.
The Move is next. (Do Ya, Blackberry Way, Curly, California Man, Brontosaurus....:p)
Well, if they did that, good on 'em, as you kids (or the Australians) say. But - you'd be disappointed if there wasn't a "but," wouldn't you? - the tide was already turning toward that kind of relevant-to-real-life writing at that time. The folk singers started that when they burned down Tin Pan Alley.
Pete Seeger a pyromaniac? Hopefully he and the other Weavers paid Leadbelly for "Goodnight Irene".
I can see Dylan lighting a cigarette but not much else. Bet he thanks artists like Peter, Paul and Mary, The Byrds, The Turtles and even Cher for early covers of his stuff. Money in the bank.
The song writing factories might have died out in New York City but the publishing rights didn't. And getting other people to cover your tunes was still a big item in the 1960s. No doubt it still is. So it helped if you could write a song (melody and words) worth covering. McCartney sure did.